Masts Print
In Masts (1919), Charles Demuth renders the rigging of ships not as maritime detail but as an intricate study in line and restraint, where abstraction emerges from the disciplined observation of form. What might have been merely documentary becomes, in Demuth’s hand, a meditation on the quiet tension between industry and elegance—a precursor to the precisionist clarity that would define his later work.
• 18” x 24”
• Velvety matte print
• Paper thickness: 10.3 mil
• Paper weight: 189 g/m²
• Opacity: 94%
• ISO brightness: 104%
• Paper is sourced from Japan
In Masts (1919), Charles Demuth renders the rigging of ships not as maritime detail but as an intricate study in line and restraint, where abstraction emerges from the disciplined observation of form. What might have been merely documentary becomes, in Demuth’s hand, a meditation on the quiet tension between industry and elegance—a precursor to the precisionist clarity that would define his later work.
• 18” x 24”
• Velvety matte print
• Paper thickness: 10.3 mil
• Paper weight: 189 g/m²
• Opacity: 94%
• ISO brightness: 104%
• Paper is sourced from Japan
In Masts (1919), Charles Demuth renders the rigging of ships not as maritime detail but as an intricate study in line and restraint, where abstraction emerges from the disciplined observation of form. What might have been merely documentary becomes, in Demuth’s hand, a meditation on the quiet tension between industry and elegance—a precursor to the precisionist clarity that would define his later work.
• 18” x 24”
• Velvety matte print
• Paper thickness: 10.3 mil
• Paper weight: 189 g/m²
• Opacity: 94%
• ISO brightness: 104%
• Paper is sourced from Japan