Handmade for the Haunting Season

Few faces in art seem so alive to their own unease as the woman who haunts Edvard Munch’s The Sin. With her ungoverned hair and fever-bright eyes, she seems less a sitter than an apparition, one of those figures that flicker between desire and dread in Munch’s work. Painted in 1902, she embodies a turn-of-the-century anxiety: the sense that the self, like the soul, could be both illuminated and undone by longing.

On this pillow, her spectral presence is rendered in rust and ochre tones, an autumnal palette that feels equally at home among candlelight and shadow. The linen-feel fabric softens her intensity, but not her stare; she remains a reminder that beauty, in Munch’s world, was never free of consequence.

• 22” x 22”
• 100% pre-shrunk polyester case
• Fabric with a linen feel
• Hidden zipper
• Machine-washable case
• Polyester insert included (handwash only)

A little French exasperation for your morning coffee. This ceramic mug features a deep blue-hued “Sapristi!” an old-fashioned exclamation meaning good heavens, by Jove or, on particularly trying days, drat.
The phrase is mentioned in S. Baring-Gould’s ghost story “Jean Bouchon,” where a startled café waiter cries “Sapristi!” after learning that a long-dead colleague has returned to pocket yet another customer’s tip. Equal parts literary, ghostly and mildly scandalized, it makes a delightfully understated addition to the Halloween cupboard.
• Ceramic • 11 oz • 3.8″ (9.6 cm) in height, 3.2″ (8.2 cm) in diameter • Dishwasher and microwave safe
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!

Part guardian, part apparition, the talismanic tiger prowls between worlds, its spiraling stripes more hypnotic than natural, its gaze at once comical and divine. In vintage Japanese folk art, tigers like this one were protectors, their exaggerated forms meant to ward off evil spirits and invite strength. Here, that same protective energy is rendered in soft polyester, a creature of both myth and domestic comfort.

Printed on one side, this 22-inch pillow retains the bold graphic charm of the original painting it’s based on, an emblem of good fortune and protection. Whether seated in an armchair or watching over a room, the tiger’s watchful eyes and curling form lend a note of the otherworldly to the ordinary.

• 22″
• Thickness: 3″–5″
• Printed on one side
• Sealed design without zipper
• 100% soft polyester

Spot wash with warm water.

Important: This product is available in the US only. If your shipping address is outside this region, please choose a different product.

In Hallbeck’s chromolithograph of 1856, three small figures huddle beside a fire, their light no match for the vast Nordic night. The roar of the Lule River surrounds them; above, the aurora shivers through the clouds like a silent benediction. The waterfall Harsprånget, once the mightiest in Sweden, has long since been tamed by turbines, but here it exists in its untamed state: sublime, terrifying, and eternal.

This candle bears that image like a memory of wildness. As the soy wax burns, the scene seems to flicker with the same improbable glow, the human spark against the cold immensity of nature.

• Soy wax
• Cotton wick
• 3.76″ × 3.13″ (95 × 79 mm) glass vessel
• Product weight: 1.2 lbs (570 g)
• Unscented with a pleasant natural aroma